We consider it hypocritical to have the migration of the form motif without the chairs of the Aue-
Pavilion migrating throughout the various artworks. In turn, we decided that modern chairs should be included among the Chinese wooden chairs of the 17th century Qing Dynasty, a work by Ai Weiwei. Also, the chairs should move around the exhibition. For our project, we placed a modern chair within the antique chairs and repositioned them in the Aue-Pavilion. We did not do so to create chaos. We simply made a silent interruption, with people not realizing they were a part of the performance.